Geminate makes single tracked instruments sound as if they were double tracked.
This creates bigger, fuller, and wider sounding mixes.
The further to the right for Dynamics or Timing, the bigger the randomised variations in loudness or delay.
Turn the Pitch knob to the left for micropitch detuning, or to the right to raise the pitch of the selected channel.
Sampled from a cheap children's Angelus Glockenspiel, and transformed into something otherworldy.
Features an XY Pad for custom FX and a bespoke Sequencer/Arpeggiator.
Apocalypsis corrupts delay, reverb, pitch shifting, and distortion, into sounds to end all days.
Click on the top left switch or the side panels to reveal the controller.
Adding slight pitchshifts will add depth and character to the sound.
Adjust the Delay, Feedback and Mix controls, to set how much Reverse Delay is mixed into the signal.
Set the routing and mode through the central control.
Click inside of the modulation or delay controls (red), to automate them by volume input (pink), or LFO (yellow).
Set different harmonies for the left and right channels.
Use Delay and Feedback, along with LFO and Frequency, to set the length and character of the delays.
Adjust Divide, Reflect, and Shudder, to set the Reverb. Use Distort for hard clipping, and Crush to reduce the bit rate. Ajust Magnify for volume and tonal variation.
Use Sync to time the delay repeats to the BPM of the DAW. Adjust LFO and Frequency to set the width and movement of the filters applied to the repeats.
A new utility tool for mapping one format of MIDI to another. Used for converting drum MIDI created in one format to another but also as a creative tool.