Pitchifting Dual Delay. Set different harmonies for the left and right channels. The Balance control can be used to emphasise one side over the other. Use Delay and Feedback, along with LFO and Frequency, to set the length and character of the delays. For more complex arpeggiations, use two instances of Angel Dust at the same time.
As there were issues on some machines I've now fixed these in a Version 1.1 (just PC for now but Mac OS soon).
Adjust Divide, Reflect, and Shudder, to set the Reverb. Use Distort for hard clipping, and Crush to reduce the bit rate. Ajust Magnify for volume and tonal variation.
Use Sync to time the delay repeats to the BPM of the DAW. Adjust LFO and Frequency to set the width and movement of the filters applied to the repeats.
A dark, distorted, and irredeemably corrupted sample library. Ideal for horror themed ambiances and gothic industrial soundtracks.
Use a high number of echoes, with a short delay between them, and boost the Feedback, to create Reverb from the multiple echoes.
A new utility tool for mapping one format of MIDI to another. Used for converting drum MIDI created in one format to another but also as a creative tool.
Sounds nothing like the 7 string guitar it was sampled from. Click on the outer spheres to select the FX chains, and on R or F to choose the rear or front pickups.
Each ambient preset has been sampled from both the rear and front EMG pickups of a Schecter seven string guitar, giving a total of 18 sound options.
Drag above or below the baby aliens to set the sequencer steps. Click on the mummy alien to set the speed, FX mode, and parameters, through the eyeball controls.
Guillotine chops up segments of audio in sync with the BPM of the track. Up to 32 divisions can then be modulated, bitcrushed, distorted, or simply silenced.
Use Threshold to set when the Noise Gate kicks in, and Expander to slow down the noise gate closing on sustained notes, and let through more background noise.
