Delay/Reverb/Pitchshifting/Distortion Apocalypsis corrupts delay, reverb, pitch shifting, and distortion, into sounds to end all days.
Click on the top left switch or the side panels to reveal the controller. To turn off the pitch shifting volume envelope automation, and disable the Release control, turn the Attack screw all the way to the left.
Once Attack is engaged, it will control how far the playing volume will move the Pitch up, and Release will set how quickly it returns
Adding slight pitchshifts will add depth and character to the sound.
Adjust the Delay, Feedback and Mix controls, to set how much Reverse Delay is mixed into the signal.
Set the routing and mode through the central control.
Click inside of the modulation or delay controls (red), to automate them by volume input (pink), or LFO (yellow).
Set different harmonies for the left and right channels.
Use Delay and Feedback, along with LFO and Frequency, to set the length and character of the delays.
Adjust Divide, Reflect, and Shudder, to set the Reverb. Use Distort for hard clipping, and Crush to reduce the bit rate. Ajust Magnify for volume and tonal variation.
Use Sync to time the delay repeats to the BPM of the DAW. Adjust LFO and Frequency to set the width and movement of the filters applied to the repeats.
A new utility tool for mapping one format of MIDI to another. Used for converting drum MIDI created in one format to another but also as a creative tool.
Sounds nothing like the 7 string guitar it was sampled from. Click on the outer spheres to select the FX chains, and on R or F to choose the rear or front pickups.
